Angel Almela Valchs
the other hand, I
The serpent and the Lute
the other hand, I
The serpent and the Lute
Cieza, March We
2011, before the book number five in the collection Acanto, who edits the literary group The serpent and the lute, of Cieza, and containing key elements of night and I, because in the course of one night ( from twelve at half past eight), Angel Almela tell us what you saw, what you see, and at times you think to see.
This is a book that could be a long poem, rather than the twenty-seven that compose it, always headed by an hour of that night, after the first, " Sleep", as she is, she was absent but present in the minds of the poem, one of the determining elements of the book. Indeed, those who know Angel Almela know that she, Anne, is " guilty of many of the poems in the book " as the author told us in the presentation, at the Museo Ramón Gaya.
A Book that has much personal feeling, something that we see in the verses chosen as latch, the book Song and Ballad absence of Miguel Hernandez: "You night, my wife, the night time / most of its lunar power and female. / You midnight: the shadow highlight / where the dream ends where love culminates . "
But if the reader still not sure why these poems, you just need to move a few verses, and read how at quarter past twelve, the poet gives his reasons, which reason knows sometimes, but not others, and a poem entitled "Reasons ."
Night, as poetic space, Almela Angel serves to weave a plot symbolic issues that concern you, you are happy or not care, knowing that every book is an inquiry into the personal identity , as advocated by his friend Luis García Montero.
the night, so neglected, so damaged in today's world by the proliferation and distortion of literary figures such as Stoker's Dracula- damage is irreparable like me, both in literature and film-drag, no wanting it, a very dubious reputation, but Angel has chosen Almela as a foundation to look into their feelings, their obsessions, their fears, and thus convert darkness in a magical, or romantic, always disturbing, but keeping with the reader or reading a dialogue that does not stop, even in his solitude, the poet knows that with each verse, the dawn is coming, and with it come waking, meet again this side, and called Angel and waking.
A book that has two pictures of Ana Almela, his daughter, who put an end to this principle and deep personal inquiry Almela Valchs Angel.
2011, before the book number five in the collection Acanto, who edits the literary group The serpent and the lute, of Cieza, and containing key elements of night and I, because in the course of one night ( from twelve at half past eight), Angel Almela tell us what you saw, what you see, and at times you think to see.
This is a book that could be a long poem, rather than the twenty-seven that compose it, always headed by an hour of that night, after the first, " Sleep", as she is, she was absent but present in the minds of the poem, one of the determining elements of the book. Indeed, those who know Angel Almela know that she, Anne, is " guilty of many of the poems in the book " as the author told us in the presentation, at the Museo Ramón Gaya.
A Book that has much personal feeling, something that we see in the verses chosen as latch, the book Song and Ballad absence of Miguel Hernandez: "You night, my wife, the night time / most of its lunar power and female. / You midnight: the shadow highlight / where the dream ends where love culminates . "
But if the reader still not sure why these poems, you just need to move a few verses, and read how at quarter past twelve, the poet gives his reasons, which reason knows sometimes, but not others, and a poem entitled "Reasons ."
Night, as poetic space, Almela Angel serves to weave a plot symbolic issues that concern you, you are happy or not care, knowing that every book is an inquiry into the personal identity , as advocated by his friend Luis García Montero.
the night, so neglected, so damaged in today's world by the proliferation and distortion of literary figures such as Stoker's Dracula- damage is irreparable like me, both in literature and film-drag, no wanting it, a very dubious reputation, but Angel has chosen Almela as a foundation to look into their feelings, their obsessions, their fears, and thus convert darkness in a magical, or romantic, always disturbing, but keeping with the reader or reading a dialogue that does not stop, even in his solitude, the poet knows that with each verse, the dawn is coming, and with it come waking, meet again this side, and called Angel and waking.
A book that has two pictures of Ana Almela, his daughter, who put an end to this principle and deep personal inquiry Almela Valchs Angel.
Illán Francisco Javier Vivas
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